{"id":9279,"date":"2024-08-17T10:45:26","date_gmt":"2024-08-17T13:45:26","guid":{"rendered":"https:\/\/ecu.edu.uy\/sitioweb\/?p=9279"},"modified":"2024-08-17T10:45:26","modified_gmt":"2024-08-17T13:45:26","slug":"premios-y-menciones-del-jurado-profesional","status":"publish","type":"post","link":"https:\/\/ecu.edu.uy\/sitioweb\/premios-y-menciones-del-jurado-profesional\/","title":{"rendered":"Premios y menciones del Jurado Profesional"},"content":{"rendered":"

Premios y menciones del Jurado Profesional <\/strong>del 24 Festival Internacional de Escuelas de Cine<\/strong>, integrado por Alejo Moguillansky, \u00c1ngela L\u00f3pez Ruiz y Cristhian Orta<\/strong>.<\/p>\n

Awards and mentions from the Professional Jury<\/strong> of the 24 International Film Schools Festival<\/strong>, made up of Alejo Moguillansky, \u00c1ngela L\u00f3pez Ruiz and Cristhian Orta<\/strong>.<\/p>\n

\n

CATEGOR\u00cdA ANIMACI\u00d3N:<\/strong><\/p>\n

Menci\u00f3n Especial<\/strong>: Por una excepcional factura t\u00e9cnica puesta al servicio de una narrativa potente y po\u00e9tica:<\/p>\n

On the 8th day<\/strong>, dirigido por Agathe S\u00e9n\u00e9chal, Alicia Massez, Elise Debruyne, Flavie Carin, Th\u00e9o Duhautois – Escuela P\u00f4le 3D (Francia)<\/p>\n

Premio Mejor Animaci\u00f3n: <\/strong>Por la calidad de su animaci\u00f3n e ilustraciones, su destacado trabajo actoral y c\u00f3mo combina estos (y otros) elementos narrativos para darle vida a un guion que construye un creativo y personal retrato sobre una generaci\u00f3n y sus dilemas:<\/p>\n

Carciniza\u00e7\u00e3o <\/strong>\u2013 dirigido por Denis Souza \u2013 Universidade Federal de Pelotas (Brasil)<\/p>\n

ANIMATION CATEGORY:<\/strong><\/p>\n

Special Mention: For an exceptional technical work put at the service of a powerful and poetic narrative:<\/p>\n

On the 8th day<\/strong>, directed by Agathe S\u00e9n\u00e9chal, Alicia Massez, Elise Debruyne, Flavie Carin, Th\u00e9o Duhautois – P\u00f4le 3D (France)<\/p>\n

Best Animation Award<\/strong>: For the quality of its animation and illustrations, its outstanding acting work and how it combines these (and other) narrative elements to give life to a script that builds a creative and personal portrait of a generation and its dilemmas:<\/p>\n

Carciniza\u00e7\u00e3o <\/strong>\u2013 directed by Denis Souza \u2013 Universidade Federal de Pelotas (Brazil)<\/p>\n

\n

CATEGOR\u00cdA NO FICCI\u00d3N<\/strong>:<\/p>\n

Menci\u00f3n Especial<\/strong>: Por el excelente trabajo de reconstrucci\u00f3n documental de un ataque terrorista que por su car\u00e1cter homof\u00f3bico y transodiante trasciende fronteras para dar visibilidad del hecho a toda la humanidad:<\/p>\n

Poisoned well <\/strong>\u2013 dirigido por Radek \u0160ev\u010d\u00edk \u2013 Academy of Performing Arts in Bratislava (Eslovaquia)<\/p>\n

Premio Mejor No Ficci\u00f3n: <\/strong>Por recuperar aquella tradici\u00f3n en la que el cine es, sobre todas las cosas, un instrumento para registrar lo real, un instrumento para robar la belleza del mundo, para capturar el vuelo de una avioneta piloteada por su mismo inventor en alg\u00fan rinc\u00f3n de Rusia, por entender que el cine y la aviaci\u00f3n son dos aparatos para apresar la belleza del cielo:<\/p>\n

Sky high <\/strong>\u2013 Dirigido por Mira Erkenova \u2013 Gerasimov Institute of Cinematography (Rusia)<\/p>\n

NON FICTION CATEGORY<\/strong>:<\/p>\n

Special Mention: For the excellent work of documentary reconstruction of a terrorist attack that, due to its homophobic and transfobic nature, transcends borders to make the event visible to the world:<\/p>\n

Poisoned well \u2013 directed by Radek \u0160ev\u010d\u00edk \u2013 Academy of Performing Arts in Bratislava (Slovakia)<\/p>\n

Best Non-Fiction Award: <\/strong>For recovering the tradition in which cinema is, above all things, an instrument to record reality, an instrument to steal the beauty of the world, to capture the flight of a small plane piloted by its inventor in some corner of Russia, for understanding that cinema and aviation are two devices to capture the beauty of the sky:<\/p>\n

Sky high \u2013 <\/strong>Directed by Mira Erkenova \u2013 Gerasimov Institute of Cinematography (Russia)<\/p>\n

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CATEGORIA FICCI\u00d3N: Premio compartido<\/strong><\/p>\n

Quiz\u00e1s s\u00f3lo el cine sea capaz de mirar con la debida distancia al mundo, al espacio y a las personas, como un gran flujo de energ\u00eda que viaja desde una central at\u00f3mica hasta una pava el\u00e9ctrica, y alejarse a\u00fan m\u00e1s para poder vernos a nosotros mismos como parte de un flujo de energ\u00eda infinitamente m\u00e1s grande, y descomponernos en \u00e9l de la misma forma que la luz se descompone en una pel\u00edcula 16mm:<\/p>\n

3MWh <\/strong>\u2013 Dirigida por Marie-Magdalena Kochov\u00e1 \u2013 FAMU (Rep\u00fablica Checa)<\/p>\n

Filmar el sonido es un acto temerario, reservado para los cineastas m\u00e1s atrevidos. M\u00e1s a\u00fan si detr\u00e1s de ese sonido encontramos personajes y actuaciones que parecer\u00edan ir a la velocidad del silencio. Acaso el cine pueda ser eso: escuchar el silencio de un bosque esperando por el canto de un p\u00e1jaro. Y cuando eso ocurra, habremos aprendido a mirar el silencio:<\/p>\n

Wandering bird <\/strong>\u2013 Dirigido por Victor Dupuis \u2013 Institut des Arts de Diffusion (B\u00e9lgica)<\/p>\n

Ex Aequo Award for Best Fiction Film<\/strong><\/p>\n

Perhaps only cinema is capable of looking at the world, space and people with due distance, like a great flow of energy that travels from an atomic power plant to an electric boiler, and moving away even further to be able to see ourselves as part of an infinitely greater flow of energy, and decompose in it in the same way that light decomposes in a 16mm film:<\/p>\n

3MWh \u2013 <\/strong>Directed by Marie-Magdalena Kochov\u00e1 \u2013 FAMU (Czech Republic)<\/p>\n

To film the sound is a reckless act, reserved for the most daring filmmakers. Even more so if behind that sound we find characters and performances that seem to go at the speed of silence. Perhaps cinema can be that: listening to the silence of a forest waiting for the song of a bird. And when that happens, we will have learned to look at the silence:<\/p>\n

Wandering bird<\/strong> \u2013 Directed by Victor Dupuis \u2013 Institut des Arts de Diffusion (Belgium)<\/p>\n

\n

MEJOR CORTO LATINOAMERICANO:<\/strong><\/p>\n

Menci\u00f3n Especial<\/strong>: Por la calidad po\u00e9tica con la que se retrata al personaje y su entorno:<\/p>\n

Tintes <\/strong>\u2013 Dirigido por Glerifer Molina \u2013 Universidad Central de Venezuela (Venezuela)<\/p>\n

Premio Mejor Corto Latinoamericano:<\/strong> Por la fineza del relato que, a la vez de retratar un ritual afectivo singular, permite apreciar la realidad sociocultural que lo rodea:<\/p>\n

Palomar <\/strong>\u2013 Dirigido por Jos\u00e9 Luis Jim\u00e9nez \u2013 EICTV (Cuba)<\/p>\n

BEST LATIN AMERICAN SHORT FILM<\/strong><\/p>\n

Special Mention<\/strong>: For the poetic quality in portraying the character and his surroundings:<\/p>\n

Tintes \u2013 <\/strong>Directed by Glerifer Molina \u2013 Central University of Venezuela (Venezuela)<\/p>\n

Best Latin American Short Award<\/strong>: For the grace of the story that, while portraying a singular emotional ritual, allows us to appreciate the sociocultural reality that surrounds it:<\/p>\n

Palomar \u2013 <\/strong>Directed by Jos\u00e9 Luis Jim\u00e9nez \u2013 EICTV (Cuba)<\/p>\n

\n

MEJOR CORTO URUGUAYO<\/strong>:<\/p>\n

Menci\u00f3n Especial<\/strong>: Por contar una historia que explora la naturaleza y los l\u00edmites entre la amistad y el amor, con una apuesta fuerte al trabajo actoral y una mirada de direcci\u00f3n que ayuda al espectador a adentrarse en la intimidad del v\u00ednculo entre los protagonistas:<\/p>\n

Perro callejero <\/strong>\u2013 Dirigido por Theo Lucero \u2013 Escuela de Cine del Uruguay<\/p>\n

Primer Premio: Premio Musitelli & Premio La Mayor: <\/strong>Por abordar el drama de la separaci\u00f3n de dos amigos a trav\u00e9s de una original b\u00fasqueda creativa, que combina situaciones surrealistas y de humor absurdo con elementos que remiten a cl\u00e1sicos del cine costumbrista uruguayo:<\/p>\n

Pascualina <\/strong>\u2013 Dirigido por Juan Pablo Gardella y Joaqu\u00edn Mart\u00ednez \u2013 Universidad Cat\u00f3lica del Uruguay<\/p>\n

BEST URUGUAYAN SHORT FILM<\/strong><\/p>\n

Special Mention: For telling a story that explores the nature and limits between friendship and love, with a strong commitment to acting work and a direction that helps the viewer delve into the intimacy of the bond between the characters:<\/p>\n

Street Dog<\/strong> \u2013 Directed by Theo Lucero \u2013 Uruguayan Film School (ECU)<\/p>\n

First Prize<\/strong>: For addressing the drama of the separation between two friends through an original creative search, which combines surreal situations and absurd humor with elements that refer to classics of Uruguayan cinema:<\/p>\n

Pascualina<\/strong> \u2013 Directed by Juan Pablo Gardella and Joaqu\u00edn Mart\u00ednez \u2013 Universidad Cat\u00f3lica del Uruguay<\/p>\n","protected":false},"excerpt":{"rendered":"

Premios y menciones del Jurado Profesional del 24 Festival Internacional de Escuelas de Cine, integrado por Alejo Moguillansky, Ángela López Ruiz y Cristhian Orta. Awards and mentions from the Professional Jury of the 24 International Film Schools Festival, made up of Alejo Moguillansky, Ángela López Ruiz and Cristhian Orta. CATEGORÍA ANIMACIÓN: Mención Especial: Por una… <\/p>\n

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Leer mas<\/a><\/p>\n","protected":false},"author":2,"featured_media":9220,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/posts\/9279"}],"collection":[{"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/comments?post=9279"}],"version-history":[{"count":1,"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/posts\/9279\/revisions"}],"predecessor-version":[{"id":9280,"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/posts\/9279\/revisions\/9280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/media\/9220"}],"wp:attachment":[{"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/media?parent=9279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/categories?post=9279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ecu.edu.uy\/sitioweb\/wp-json\/wp\/v2\/tags?post=9279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}