{"id":9891,"date":"2026-08-13T21:34:21","date_gmt":"2026-08-14T00:34:21","guid":{"rendered":"https:\/\/ecu.edu.uy\/sitioweb\/?p=9891"},"modified":"2026-08-13T21:52:42","modified_gmt":"2026-08-14T00:52:42","slug":"jurado-profesional-professional-jury-2","status":"publish","type":"post","link":"https:\/\/ecu.edu.uy\/sitioweb\/jurado-profesional-professional-jury-2\/","title":{"rendered":"Jurado Profesional \/ Professional Jury"},"content":{"rendered":"

Clarisa Navas (Argentina) <\/strong><\/p>\n

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Clarisa Navas naci\u00f3 en Corrientes, Argentina, en 1989. Es directora y guionista, Licenciada en Artes Audiovisuales por la Universidad Nacional de las Artes (UNA). Dirigi\u00f3 El Pr\u00edncipe de Nanawa (Grand Prix, Visions du R\u00e9el 2025), Las Mil y una (Berlinale 2020) y Hoy partido a las 3 (BAFICI 2017); todas sus pel\u00edculas han sido exhibidas y premiadas internacionalmente. Es instructora en la Escuela Nacional de Experimentaci\u00f3n y Realizaci\u00f3n Cinematogr\u00e1fica (ENERC) y asesora en diversos espacios de formaci\u00f3n y laboratorios de proyectos. Forma parte del colectivo Yagua Pir\u00fa, dedicado a crear desde el Nordeste argentino.<\/p>\n

Clarisa Navas was born in Corrientes, Argentina, in 1989. She is a director and screenwriter who holds a degree in Audiovisual Arts from the National University of the Arts (UNA). She directed El Pr\u00edncipe de Nanawa (Grand Prix, Visions du R\u00e9el 2025), Las Mil y una (Berlinale 2020), and Hoy partido a las 3 (BAFICI 2017); all her films have been screened and awarded internationally. She is an instructor at the National School of Film Experimentation and Production (ENERC) and an advisor for various training programs and project labs. She is a member of the Yagua Pir\u00fa collective, which is dedicated to creative work based in northeastern Argentina.<\/em><\/p>\n

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Diego Fern\u00e1ndez Pujol (Uruguay) <\/strong><\/p>\n

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Director, guionista y productor de los largometrajes de ficci\u00f3n Buscando a Clara (en postproducci\u00f3n), La teor\u00eda de los vidrios rotos (2021), Rinc\u00f3n de Darwin (2013) y el largo documental As\u00ed pasamos (2021), as\u00ed como de varios cortometrajes de ficci\u00f3n, como Nico & Parker (2000), Mandado hacer (2002) y F\u00e1brica de enanos (2004). Creador de la serie de animaci\u00f3n educativa Ana la rana y productor de la serie web El \u00faltimo youtuber. Fue coproductor del largometraje Mulher do pai (2016) y dirigi\u00f3 videoclips para bandas como Buenos Muchachos (Premio Graffiti), La Vela Puerca, Claudio Taddei, Franny Glass y Chicas Japonesas.<\/p>\n

Es docente de Lenguaje Audiovisual y Storytelling Multimedia en la Universidad ORT, donde tambi\u00e9n coordina el Taller de Producci\u00f3n Audiovisual con Inteligencia Artificial. Es socio fundador y actual presidente de DGU (Asociaci\u00f3n de Directoras, Directores y Guionistas de Cine del Uruguay) y Secretario General de la Academia de Cine del Uruguay.<\/p>\n

He is the director, screenwriter, and producer of the fiction feature films Buscando a Clara (in post-production), La teor\u00eda de los vidrios rotos (2021), and Rinc\u00f3n de Darwin (2013), as well as the feature-length documentary As\u00ed pasamos (2021) and several short fiction films, such as Nico & Parker (2000), Mandado hacer (2002), and F\u00e1brica de enanos (2004). He created the educational animated series Ana la rana and produced the web series El \u00faltimo youtuber. He co-produced the feature film Mulher do pai (2016) and directed music videos for bands such as Buenos Muchachos (Graffiti Award winner), La Vela Puerca, Claudio Taddei, Franny Glass, and Chicas Japonesas.<\/em><\/p>\n

He teaches Audiovisual Language and Multimedia Storytelling at ORT University, where he also coordinates the Audiovisual Production with Artificial Intelligence Workshop. He is a founding member and current president of DGU (Association of Film Directors and Screenwriters of Uruguay) and Secretary General of the Uruguayan Film Academy.<\/em><\/p>\n

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Marcus Vetter (Alemania \/ Germany)<\/strong><\/p>\n

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Marcus Vetter es uno de los documentalistas m\u00e1s reconocidos de Alemania. A lo largo de m\u00e1s de dos d\u00e9cadas ha dirigido y producido pel\u00edculas premiadas internacionalmente, centradas en temas de derechos humanos, justicia, conflictos, econom\u00eda y reconciliaci\u00f3n. Ha recibido el Premio Alem\u00e1n de Cine (Lola) por Das Herz von Jenin, varios Premios Grimme y el Premio Alem\u00e1n de Televisi\u00f3n por Der Tunnel. Sus documentales han sido seleccionados y galardonados en algunos de los festivales m\u00e1s prestigiosos del mundo, entre ellos IDFA, Hot Docs, Locarno, Toronto, DOK Leipzig y Movies That Matter. Entre sus obras m\u00e1s destacadas figuran Das Forum (2019), primer largometraje con acceso exclusivo al Foro Econ\u00f3mico Mundial de Davos; War and Justice (2022), sobre la justicia penal internacional; Das Versprechen (2016); The Forecaster (2015); Cinema Jenin (2012); y Das Herz von Jenin (2008). Actualmente desarrolla un largometraje documental sobre los avances cient\u00edficos en la investigaci\u00f3n del Alzheimer y la b\u00fasqueda de una posible cura.<\/p>\n

Marcus Vetter is one of Germany’s most renowned documentary filmmakers. Over the course of more than two decades, he has directed and produced internationally award-winning films focusing on human rights, justice, conflict, economics, and reconciliation. He has received the German Film Award (Lola) for Das Herz von Jenin, multiple Grimme Awards, and the German Television Award for Der Tunnel. His documentaries have been selected for and honored at some of the world’s most prestigious festivals, including IDFA, Hot Docs, Locarno, Toronto, DOK Leipzig, and Movies That Matter. His notable works include Das Forum (2019), the first feature-length film with exclusive access to the World Economic Forum in Davos; War and Justice (2022), about international criminal justice; Das Versprechen (2016); The Forecaster (2015); Cinema Jenin (2012); and Das Herz von Jenin (2008). He is currently developing a feature-length documentary about scientific advances in Alzheimer’s research and the search for a potential cure.<\/em><\/p>\n

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Clarisa Navas (Argentina) Clarisa Navas nació en Corrientes, Argentina, en 1989. Es directora y guionista, Licenciada en Artes Audiovisuales por la Universidad Nacional de las Artes (UNA). Dirigió El Príncipe de Nanawa (Grand Prix, Visions du Réel 2025), Las Mil y una (Berlinale 2020) y Hoy partido a las 3 (BAFICI 2017); todas sus películas… <\/p>\n

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